Simour, L. (2020). Gendered Eyewitness in Narration: Imagining Morocco in British Women Travel-Inspired Narratives in Late Nineteenth Century. Anglo Saxonica. Vol. 17. 10.5334/as.22.
Sánchez, M., Simour, L. (2019). ‘A tongue tells a thousand truths’: narration, translation and illustration in Mohamed Mrabet’s Chocolate Creams and Dollars. The Journal of North African Studies. Vol. 1-25. 10.1080/13629387.2019.1706168.
Simour, L. (2019). Shahrazad in Transatlantic Journeys: Moorish Dancing Travelers beyond Borders in 19th and early 20th Centuries”, European Journal of American Culture Vol. 38. 3, pp. 217-237.
Simour, L. (2019). The Moorish Ambassador’s Journey to Spain: cultural encounters in Ahmed ben Mehdi al-Ghazal’s natijat al ijtihcid fi al-mohcidana wa al-jihad (1766), Soroud, Volume1, lssue2, pp. 45-56.
Simour, L. (2019). The other history of cultural encounters through performance revisited: shifting discourses on Moroccan acrobatic entertainers in nineteenth-century America. Cultural Studies. Vol. 34. 1-25. 10.1080/09502386.2018.1564779.
Simour, L. (2018). Demythologizing the American Dream: A Rereading of Layla Abu Zayd’s Amrfkci, al-wagh al-cikhar [America’s other face] (1991), Annals of Philosophy, Social and Human Disciplines, Vol. 19, Issue 1, pp. 5-15. ISSN 2069-4008 (Print); 2069-4016 (Online)
Simour, L. (2017). (Re)Locating Space in Hakim Belabbas’s khayt al-rii/1 [Threads] and Farida Belyazid’s bab sma maftii/1 [A Door to the Sky], International Journal of Francophone Studies Vol. 20: 1-2, pp. 9-23. DOI: 10.1386/ijfs.20.1&2.9_1. ISSN 1368-2679 (Print); ISSN 1758-9142 (Online)
Simour, L. et al., (2017). “La Francophonie, la Culture et le Colonialisme: Approche postcolonial a la Litterature Marocaine d’Expression Fran aise,” Analyse du Discours/Anadiss, Vol. 23, Issue 1, pp. 59-63.
Simour, L. (2014). Blurring the Boundaries of Gendered Encounters: Moorish Dancing Girls in Nineteenth and Early Twentieth-Century American Fair Exhibitions. Hawwa. Vol. 11. 133-159. 10.1163/15692086-12341250.
Simour, L. (2013). American Fair Expositions Revisited: Morocco’s Acrobatic Performers between the Industry of Entertainment and the Violence of Racial Display. Journal for Cultural Research. Vol. 17. 295-322. 10.1080/14797585.2012.752163.